Braveheart / Gladiator (Two-Pack) [Blu-ray]

• Condition: New
• Format: Blu-ray
• Widescreen

A man robbed of his name and his dignity strives to win them back, and gain the freedom of his people, in this epic historical drama from director Ridley Scott. In the year 180, the death of emperor Marcus Aurelius (Richard Harris) throws the Roman Empire into chaos. Maximus (Russell Crowe) is one of the Roman army's most capable and trusted generals and a key advisor to the emperor. As Marcus' devious son Commodus (Joaquin Phoenix) ascends to the throne, Maximus is set to be executed. He escapes, but is captured by slave traders. Renamed Spaniard and forced to become a gladiator, Maximus must battle to the death with other men for the amusement of paying audiences. His battle skills serve him well, and he becomes one of the most famous and admired men to fight in the Colosseum. Determined to avenge himself against the man who took a! way his freedom and laid waste to his family, Maximus believes that he can use his fame and skill in the ring to avenge the loss of his family and former glory. As the gladiator begins to challenge his rule, Commodus decides to put his own fighting mettle to the test by squaring off with Maximus in a battle to the death. Gladiator also features Derek Jacobi, Connie Nielsen, Djimon Hounsou, and Oliver Reed, who died of a heart attack midway through production. A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, C! rowe firmly cements his star status both in terms of screen pr! esence a nd acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan, even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the per! fect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! --Mark Englehart

Stills from Gladiator (Click for larger image)

Director Ridley Scott’s triumphant Gladiator is an unparalleled combination of vivid action and extraordinary storytelling that earned five Oscars® including Best Picture. The Blu-ray presentation will include both the original theatrical version of the film as well as the extended version in 1080p High Definition with English 5.1 DTS-HD Master Audio, French 5.1 Dolby Digital and Spanish 5.1 Dolby Digital, as well as English, English SDH, French, Spanish and Korean su! btitles. The two-disc set also will feature over four hours of! bonus m aterial.

A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings a! ppropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan, even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the con! quering hero! --Mark Englehart

Stills from Gladiator (Click for larger image)

A man robbed of his name and his dignity strives to win them back, and gain the freedom of his people, in this epic historical drama from director Ridley Scott. In the year 180, the death of emperor Marcus Aurelius (Richard Harris) throws the Roman Empire into chaos. Maximus (Russell Crowe) is one of the Roman army's most capable and trusted generals and a key advisor to the emperor. As Marcus' devious son Commodus (Joaquin Phoenix) ascends to the throne, Maximus is set to be executed. He escapes, but is captured by slave traders. Renamed Spaniard and forced to become a gladiator, Maximus must battle to the death with other men for the amusement of paying audiences. His battle skills serve him well, and he becomes one of the most famous and admired men to fight in the Colosseum. Determined to avenge himself against the man who took away his freedom and laid waste to his family, Maximus believes that he can use his f! ame and skill in the ring to avenge the loss of his family and former glory. As the gladiator begins to challenge his rule, Commodus decides to put his own fighting mettle to the test by squaring off with Maximus in a battle to the death. Gladiator also features Derek Jacobi, Connie Nielsen, Djimon Hounsou, and Oliver Reed, who died of a heart attack midway through production.A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Scott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and act! ing chops, carrying the film on his decidedly non-computer-gen! erated s houlders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan, even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximu! s from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! --Mark Englehart

Stills from Gladiator (Click for larger image)

!

Synopsis:
Item Type: DVD Movie
Item Rating: R
Street Date: 01/02/07
Wide Screen: yes
Director Cut: no
Special Edition: no
LanguageENGLISH
Foreign Film: no
Subtitlesno
Dubbed: no
Full Frame: no
Re-Release: no
Packaging: Sleeve Please note: This supplier will be closed on 11/24, 11/25, 12/26, 1/2 for the holidays. The shipping cut off is 12/10 to try and have the products delivered by Christmas.A big-budget summer epic with money to bu! rn and a scale worthy of its golden Hollywood predecessors, Ri! dley Sco tt's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, so! mewhat muted but graphic in terms of implied violence and liberal bloodletting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan, even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! --Mark Englehart

Stills from Gladiator (Click for larger image)!

Braveheart
In an emotionally cha! rged pe rformance, Gibson is William Wallace, a bold Scotsman who uses the steel of his sword and the fire of his intellect to rally his countrymen to liberation from the English occupation of Scotland. Winner of five Oscars® -- Best Picture of 1995, Best Director (Gibson), Best Cinematography, Best Makeup and Best Sound Effects Editing -- Braveheart is "the most sumptuous and involving historical epic since Lawrence of Arabia" (Rod Lurie, Los Angeles Magazine).

Gladiator
A man robbed of his name and his dignity strives to win them back, and gain the freedom of his people, in this epic historical drama from director Ridley Scott. In the year 180, the death of emperor Marcus Aurelius (Richard Harris) throws the Roman Empire into chaos. Maximus (Russell Crowe) is one of the Roman army's most capable and trusted generals and a key advisor to the emperor. As Marcus' devious son Commodus (Joaquin Phoenix) ascends to ! the throne, Maximus is set to be executed. He escapes, but is captured by slave traders. Renamed Spaniard and forced to become a gladiator, Maximus must battle to the death with other men for the amusement of paying audiences. His battle skills serve him well, and he becomes one of the most famous and admired men to fight in the Colosseum. Determined to avenge himself against the man who took away his freedom and laid waste to his family, Maximus believes that he can use his fame and skill in the ring to avenge the loss of his family and former glory. As the gladiator begins to challenge his rule, Commodus decides to put his own fighting mettle to the test by squaring off with Maximus in a battle to the death. Gladiator also features Derek Jacobi, Connie Nielsen, Djimon Hounsou, and Oliver Reed, who died of a heart attack midway through production.Braveheart
A stupendous historical saga, Braveheart won five Oscars, includ! ing Best Picture and Best Director for star Mel Gibson. He pla! ys Willi am Wallace, a 13th-century Scottish commoner who unites the various clans against a cruel English King, Edward the Longshanks (Patrick McGoohan). The scenes of hand-to-hand combat are brutally violent, but they never glorify the bloodshed. There is such enormous scope to this story that it works on a smaller, more personal scale as well, essaying love and loss, patriotism and passion. Extremely moving, it reveals Gibson as a multitalented performer and remarkable director with an eye for detail and an understanding of human emotion. (His first directorial effort was 1993's Man Without a Face.) The film is nearly three hours long and includes several plot tangents, yet is never dull. This movie resonates long after you have seen it, both for its visual beauty and for its powerful story. --Rochelle O'Gorman

Gladiator
A big-budget summer epic with money to burn and a scale worthy of its golden Hollywood predecessors, Ridley Sc! ott's Gladiator is a rousing, grisly, action-packed epic that takes moviemaking back to the Roman Empire via computer-generated visual effects. While not as fluid as the computer work done for, say, Titanic, it's an impressive achievement that will leave you marveling at the glory that was Rome, when you're not marveling at the glory that is Russell Crowe. Starring as the heroic general Maximus, Crowe firmly cements his star status both in terms of screen presence and acting chops, carrying the film on his decidedly non-computer-generated shoulders as he goes from brave general to wounded fugitive to stoic slave to gladiator hero. Gladiator's plot is a whirlwind of faux-Shakespearean machinations of death, betrayal, power plays, and secret identities (with lots of faux-Shakespearean dialogue ladled on to keep the proceedings appropriately "classical"), but it's all briskly shot, edited, and paced with a contemporary sensibility. Even the action scenes, somewhat mut! ed but graphic in terms of implied violence and liberal bloodl! etting, are shot with a veracity that brings to mind--believe it or not--Saving Private Ryan, even if everyone is wearing a toga. As Crowe's nemesis, the evil emperor Commodus, Joaquin Phoenix chews scenery with authority, whether he's damning Maximus's popularity with the Roman mobs or lusting after his sister Lucilla (beautiful but distant Connie Nielsen); Oliver Reed, in his last role, hits the perfect notes of camp and gravitas as the slave owner who rescues Maximus from death and turns him into a coliseum star. Director Scott's visual flair is abundantly in evidence, with breathtaking shots and beautiful (albeit digital) landscapes, but it's Crowe's star power that will keep you in thrall--he's a true gladiator, worthy of his legendary status. Hail the conquering hero! --Mark Englehart

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Air Bud - Golden Receiver

• The creators of the original Air Bud score once again with this hilarious heartwarming hit! This time out, Buddy, the hoop-shooting, hotshot canine, tackles a new sport-football. When his teenage owner reluctantly becomes the school s new quarterback, Buddy catches the spirit and joins the team. Soon the two find themselves leading the Timberwolves to the state championship. But victory hopes a

Josh framms wonder dog buddy is up to a new field of tricks when he takes up a new sport football. When josh and his best friend tom enter junior high they decide to join the football team. The team is floundering and if they dont have a winning season the school board is threatening to fire the coach. Studio: Buena Vista Home Video Release Date: 01/14/2003 Starring: Kevin Zegers

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Geneva Clock Co 8125 Cafe Plastic Wall Clock

• wall clock decorative

"All readers of any age need instruction and support that helps them become more independent and self-reflective in their work." â€" Gail Boushey and Joan Moser

 

In The CAFE Book, Gail Boushey and Joan Moser present a practical, simple way to integrate assessment into daily reading and classroom discussion. The CAFE system, based on research into the habits of proficient readers, is an acronym for Comprehension, Accuracy, Fluency, and Expanding vocabulary. The system includes goal-setting with students in individual conferences, posting of goals on a whole-class board, developing small-group instruction based on clusters of students with similar goals, and targeting whole-class instruction based on emerging student needs.

 

Gail and Joan developed the CAFE system to support teachers as they:

·         organize assessment data so it truly informs instruction;

·         track each child's strengths and goals, thereby maximizing time with him or her;

·         create flexible groups of students, all focused on a specific reading strategy; and

·         help students remember and retrieve the reading strategies they learned.

 

The CAFE system does not require expensive materials, complicated training, or complete changes to current classroom literacy approaches. Rather, it provides a structure for conferring with students, a language for talking about reading development, and a system for tracking growth and fostering student independence. The CAFE system’s built-in flexibility allows teachers to tailor the system to reflect the needs of their students and their state’s standards. And it’s a perfect complement to The Daily Five, “The Sisters” inf! luential first book, which lays out a structure for keeping al! l studen ts engaged in productive literacy work for every hour of every classroom day.

• Includes nearly 250 recipes plus 150 sub-recipes, more than 100 photographs, and approximately 75 illustrations
• Breaks the café down into its five key components -- the bakery, the pastry shop, the savory kitchen, beverages, and the retail shelf -- with expert advice and contemporary recipes for each area
• Author Francisco Migoya is an assistant professor at The Culinary Institute of America, where he teaches the Café Operations class for the Baking and Pastry Arts program

With information on all aspects of the café business-finances, human resources, food production, recipe/menu development, and even décor-The Modern Café offers both inspiration and instruction for anyone who wants to operate a successful café.

"The Modern Café is an impressive volume in both breadth and dept h that elevate! s standard café fare to something worthy of the term cuisine. Francisco Migoya generously shares his years of experience and research, offering a fresh, contemporary approach to casual dining. His technical skill and eye for detail are inspiring, resulting in respectful yet inventive interpretations of the classics. Migoya has given all of us professional cooks, pastry and savory alike, another invaluable resource. " â€"Michael Laiskonis, Executive Pastry Chef, Le Bernardin

 "What a high level of professionalism in a book full of originality and creativity! Francisco Migoya has created a new work with technology, sensitivity, and passionâ€"an invaluable contribution to the world of gastronomy. Enjoy it!" â€"Oriol Balaguer, Pastry Chef and Owner, Oriol Balaguer Boutiques

"Francisco Migoya's The Modern Cafe is a beautiful book that will be used as a practical guide and inspiration for professionals and home cooks alike. " â€"Grant Achatz, Chef and! Owner, Alinea

 "This book is just amazingâ€"there ! is so mu ch information, detail, and inspiration. You can really see Francisco's passion for pastry. This is an outstanding follow up to his first book, Frozen Desserts." â€"Patrick Coston, Pastry Chef and Chocolatier

A professional guide to every aspect of the launch and management of a modern, upscale café.

The Modern Café is the first comprehensive, must-have reference for the aspiring restaurateur or café owner who wants to make sure he gets every detail right.

This exquisitely illustrated volume is packed with professional guidance and master recipes for breakfast pastries, artisanal sandwiches, truffles and treats, and much more. Additionally, an entire chapter is devoted to the retail shelf, a key contributor to any café's financial health.

Recipe Excerpts from The Modern Cafe

! Pan-Fried Baby Artichokes with Lemon Aïoli

Financiers

Elderflower Ganache Pops

The design of coffee shops is increasingly on the move. Where cafs have traditionally been viewed as places principally to enjoy a coffee, they have evolved to show a broad range of multifunctional purposes and amenities: They can, for instance, exist as cozy lunch-time meeting spots before abruptly transforming into vibrant late-night bars after sundown. Caf! Best of Coffee Shop Design shows the wide scope of differ! ent caf concepts, including coffee bars as integral parts of c! utting-e dge multipurpose buildings, flagship stores and traditional shops with a contemporary twist. The 40 projects featured comprise an extensive variety of designs and styles, ranging from minimalist, strict and reduced, to opulent and extravagant.

Do you love teaching but feel exhausted from the energy you expend cajoling, disciplining, and directing students on a daily basis? If so, you'll want to meet Â"The Sisters”, Gail Boushey and Joan Moser. Based on literacy learning and motivation research, they created a structure called The Daily Five which has been practiced and refined in their own classrooms for ten years, and shared with thousands of teachers throughout the United States. The Daily Five is a series of literacy tasks (reading to self, reading with someone, writing, word work, and listening to reading) which students complete daily while the teacher meets with small groups or confers with individuals.

This book not only explains the philosophy behind! the structure, but shows you how to carefully and systematically train your students to participate in each of the five components.

Explicit modeling practice, reflecting and refining take place during the launching phase, preparing the foundation for a year of meaningful content instruction tailored to meet the needs of each child.

The Daily Five is more than a management system or a curriculum framework; it is a structure that will help students develop the habits that lead to a lifetime of independent literacy.

Cafe latte wall clock. Quartz accuracy. Overall diameter: 10''. Dial only diameter: 8.5''. Requires (1) ''AA'' battery (not included).

Hollywood Buddha Poster Movie 11x17

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• Hollywood Buddha 11 x 17 Inches Style A Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

Scott Shaw takes the reader behind-the-scenes of the gritty world of Hollywood life and nightlife in this thought provoking journey into the abyss of the Hollywood night.Scott Shaw takes the reader behind-the-scenes of the gritty world of Hollywood life and nightlife in this thought provoking journey into the abyss of the Hollywood night.Scott Shaw takes the reader into the mind of a poet and his lover in a turbulent relationship, destine for disaster, in 1980s West Hollywood, California.Hollywood Buddha reproduction Approx. Size: 11 x 17 Inches - 28cm x 44c! m Style A mini poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfaction is always guaranteed when you buy from Pop Culture Graphics,Inc

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Green Mountain Coffee Caramel Vanilla Cream, K-Cup Portion Pack for Keurig K-Cup Brewers, 24-Count

• Contains 24 k-cups
• Offers drizzles of sweet, buttery caramel and brown sugar, with swirls of vanilla cream
• 24 single serving packs; use with Keurig brewers
• Please note: 'regular', 'bold' and 'extra bold' refer to the amount of coffee in the K-Cup

Caramel Vanilla Cream offers drizzles of sweet, buttery caramel and brown sugar, with swirls of vanilla cream.

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Batman & Robin Vol. 1: Batman Reborn

• ISBN13: 9781401229870
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Cryogenic scientist gone wrong, Mr. Freeze wants to turn Gotham City into a frozen wasteland. Poison Ivy has revenge on her mind after a toxic run-in with a Wayne Enterprises scientist. While she has designs on Mr. Freeze, his cold heart is consumed only by his demented plans. With the addition of Batgirl, the dynamic duo become a trio. Will Gotham survive?Batman
Thanks to the ambitious vision of director Tim Burton, the blockbuster hit of 1989 delivers the goods despite an occasionally spotty script, giving the caped crusader a thorough overhaul in keeping with the crime fighter's evolution in DC Comics. Michael Keaton strikes just the right mood as the brooding "Dark Knight" of Go! tham City; Kim Basinger plays Gotham's intrepid reporter Vicki Vale; and Jack Nicholson goes wild as the maniacal and scene-stealing Joker, who plots a takeover of the city with his lethal Smilex gas. Triumphant Oscar-winning production design by the late Anton Furst turns Batman into a visual feast, and Burton brilliantly establishes a darkly mythic approach to Batman's legacy. Danny Elfman's now-classic score propels the action with bold, muscular verve. --Jeff Shannon

Batman Returns
Tim Burton's sequel to his phenomenally successful 1989 "Batman" doesn't try to top the first picture, either with splashier special effects or with loftier pretensions to significance; nor does it simply go through the motions, repeating the surefire stuff with a self-satisfied air of professionalism. It's a blend of playful novelty and reassuring familiarity-a difficult mixture to get right. This time, the hero (again Michael Keaton) does battle with! a greedy businessman named Max Shreck (Christopher Walken) an! d the ro ly-poly arch-criminal known as the Penguin (Danny DeVito). And whenever Batman ventures out on one of his nocturnal crime-fighting missions, he runs into a mysterious woman who dresses like a cat and carries a whip. The hilariously twisted relationship between the hero and the Catwoman (Michelle Pfeiffer) plays like an apache dance in animal costumes, and it's the glory of the movie. The cat clothes seem to release something strange and wild in Pfeiffer: her performance is ferociously sexy and uninhibitedly, over-the-top funny. As in the first movie, Burton gives the material a luxurious masked-ball quality and a sly contemporary wit without violating the myth's low, cheesy comic-book origins. He's an artist who's comfortable with both the higher aspirations and the lower instincts of his nature as an entertainer: he and Batman are an ideal match.

Batman Forever
When Tim Burton and Michael Keaton announced that they'd had enough of the Batman franchise, director Joel Schumacher stepped in (with Burton as coproducer) to make this action-packed extravaganza starring Val Kilmer as the caped crusader. Batman is up against two of Gotham City's most colorful criminals, the Riddler (a role tailor-made for funnyman Jim Carrey) and the diabolical Two-Face (Tommy Lee Jones), who join forces to conquer Gotham's population with a brain-draining device. Nicole Kidman plays the seductive psychologist who wants to know what makes Batman tick. Boasting a redesigned Batmobile and plenty of new Bat hardware, Batman Forever also introduces Robin the Boy Wonder (Chris O'Donnell) whose close alliance with Batman led more than a few critics to ponder the series' homoerotic subtext. No matter how you interpret it, Schumacher's take on the Batman legacy is simultaneously amusing, lavishly epic, and prone to chronic sensory overload. --Jeff Shannon

Batman & Robin
Following Val Kilmer's p! ortrayal of the caped crusader in Batman Forever, the f! ourth Batman feature stars George Clooney under the pointy-eared cowl, with Chris O'Donnell returning as Robin the Boy Wonder. This time the dynamic duo is up against the nefarious Mr. Freeze (Arnold Schwarzenegger), who is bent on turning the world into an iceberg, and the slyly seductive but highly toxic Poison Ivy (Uma Thurman), who wants to eliminate all animal life and turn the Earth into a gigantic greenhouse. Alicia Silverstone lends a hand as Batgirl, and Elle McPherson plays the thankless role of Batman/Bruce Wayne's fiancée. A sensory assault of dazzling colors, senseless action, and lavish sets run amok, this Batman & Robin offers an overdose of eye candy, but it is strictly for devoted Bat-o-philes. --Jeff ShannonNew from the award-winning team behind ALL-STAR SUPERMAN!

Grant Morrison and Frank Quitely, the creative team of ALL-STAR SUPERMAN, reunite to tell the adventures of the all-new Batman and Robin.

The new Dynamic Duo hits the streets! with a bang in their new fl ying Batmobile to face an assemblage of villains called the Circus of Strange. They also tackle their first mission investigating a child who’s been abducted by the mysterious Domino Killer. But will everything go smoothly? And who exactly are the new Batman and Robin? The newest era of The Dark Knight begins here!

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