A professional fixed blade knife that takes a mighty serious cut at self defense, the Gerber 45803 Guardian Back Up features blackened--and therefore non-reflective--stainless steel in a 3/4" tang blade. Lightweight and compact, it's effortless to carry and agile to use. The Santoprene-covered nylon handle, and it comes with a patented ! sheath that lets you adjust the withdraw tension to suit your individual style. Clip it to your boot or belt or your strap, and you'll never be without a reliable back-up.
The double fine-edged, spear-style blade is constructed of high carbon stainless steel and has a fine tip. The blade measures 3.41 inches and it has an overall length of 7.28 inches and a 3-ounce weight. Made in the USA. Backed by a limited lifetime warranty.
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Grace is defined as "the freely given and unmerited favor and love of God." But, as Manning points out, we have "twisted the gospel of grace into religious bondage and distorted the image of God into an eternal, small-minded bookkeeper." In reality, God offers us grace immeasurable. Brennan Manning gently encourages us to embrace that grace in the face of our greatest needs. And Manning certainly knows whereof he speaks, having taken a journey from priesthood and academic achievement through a collapse into alcoholism. Manning came face to face with his need, finally abandoni! ng himself to grace. And he invites us now to join him in a l! ife of g race.
Manning is without doubt one of the most eloquent writers on the subject of grace because he openly shares his own pain and struggle to help readers deal with failure and inadequacy. And he sweetly challenges them to do the same. --Patricia Klein
The birth of Jesus has been well chronicled, as have his glorious teachings, acts, and divine sacrifice after his thirtieth ! birthday. But no one knows about the early life of the Son of ! God, the missing years -- except Biff, the Messiah's best bud, who has been resurrected to tell the story in the divinely hilarious yet heartfelt work "reminiscent of Vonnegut and Douglas Adams" (Philadelphia Inquirer).
Verily, the story Biff has to tell is a miraculous one, filled with remarkable journeys, magic, healings, kung fu, corpse reanimations, demons, and hot babes. Even the considerable wiles and devotion of the Savior's pal may not be enough to divert Joshua from his tragic destiny. But there's no one who loves Josh more -- except maybe "Maggie," Mary of Magdala -- and Biff isn't about to let his extraordinary pal suffer and ascend without a fight.
While the Bible may be the word of God, transcribed by divinely inspired men, it does not provide a full (or even partial) account of the life of Jesus Christ. Lucky for us that Christopher Moore presents a funny, lighthearted satire of the life of Christ--from his childhood days up to his crucifixion--in L! amb: The Gospel According to Biff, Christ's Childhood Pal. This clever novel is surely blasphemy to some, but to others it's a coming-of-age story of the highest order.Joshua (a.k.a. Jesus) knows he is unique and quite alone in his calling, but what exactly does his Father want of him? Taking liberties with ancient history, Moore works up an adventure tale as Biff and Joshua seek out the three wise men so that Joshua can better understand what he is supposed to do as Messiah. Biff, a capable sinner, tags along and gives Joshua ample opportunities to know the failings and weaknesses of being truly human. With a wit similar to Douglas Adams, Moore pulls no punches: a young Biff has the hots for Joshua's mom, Mary, which doesn't amuse Josh much: "Don't let anyone ever tell you that the Prince of Peace never struck anyone." And the origin of the Easter Bunny is explained as a drunken Jesus gushes his affection for bunnies, declaring, "Henceforth and from now on, I decre! e that whenever something bad happens to me, there shall be bu! nnies ar ound."
One small problem with the narrative is that Biff and Joshua often do not have distinct voices. A larger difficulty is that as the tone becomes more somber with Joshua's life drawing to its inevitable close, the one-liners, though not as numerous, seem forced. True to form, Lamb keeps the story of Joshua light, even after its darkest moments. --Michael Ferch
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