When Harry Met Sally - Special Edition

• Format: Closed-captioned, Color, DVD, Special Edition, Widescreen, NTSC
• Language: English.
• Actors: Billy Crystal, Meg Ryan, Carrie Fisher, Bruno Kirby, Steven Ford
• Region: Region 1 (U.S. and Canada only).
• Aspect Ratio: 1.85:1.

Neigborhood bookstore rivals unwittingly become e-mail pen pals in this charming remake of The Shop Around the CornerBy now, Tom Hanks and Meg Ryan have amassed such a fund of goodwill with moviegoers that any new onscreen pairing brings nearly reflexive smiles. In You've Got Mail, the quintessential boy and girl next door repeat the tentative romantic crescendo that made Sleepless in Seattle, writer-director Nora Ephron's previous excursion with the duo, a massive hit. The prospective couple do actually meet face to face early on, but Mail otherwise repeats the earlier feature's gentle, extended tease of saving its ! romantic resolution until the final, gauzy shot.

The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device. The script, cowritten by the director and her sister, Delia Ephron, updates and relocates the Ernst Lubitsch classic, The Shop Around the Corner, to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan). Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over their colliding business fortunes.

It's no small testament to the two stars that we wind up liking and caring about them de! spite the inevitable (and highly manipulative) arc of the plot! . Althou gh their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention of Manhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and color coordinates their wardrobes for cocktail parties. --Sam SutherlandBy now, Tom Hanks and Meg Ryan have amassed such a fund of goodwill with moviegoers that any new onscreen pairing brings nearly reflexive smiles. In You've Got Mail, the quintessential boy and girl next door repeat the tentative romantic crescendo that made Sleepless in Seattle, writer-director Nora Ephron's previous excursion with the duo, a massive hit. The prospective couple do act! ually meet face to face early on, but Mail otherwise repeats the earlier feature's gentle, extended tease of saving its romantic resolution until the final, gauzy shot.

The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device. The script, cowritten by the director and her sister, Delia Ephron, updates and relocates the Ernst Lubitsch classic, The Shop Around the Corner, to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan). Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over the! ir colliding business fortunes.

It's no small testament to ! the two stars that we wind up liking and caring about them despite the inevitable (and highly manipulative) arc of the plot. Although their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention of Manhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and color coordinates their wardrobes for cocktail parties. --Sam Sutherland"Brimming over with style, intelligence and flashing wit" (Rolling Stone), this "splendid and irresistible" (Los Angeles Times) film from director Rob Reiner(American President is one of the best-loved romantic comedies of all time. Featuring dazzling performances from Meg Ryan! , Billy Crystal, Carrie Fisher and Bruno Kirby, exceptional music from Harry Connick Jr., and an OscarÂ(r)-nominated* screenplay by Nora Ephron, When Harry Met Sally is an "explosively funny" commentary on friendship, courtships - and other hardships - of the modern age (Newsweek)! Will sex ruin a perfect relationship between a man and a woman? that's what Harry (Crystal) and Sally (Ryan) debate during their travels from Chicago to New York. And eleven years and later, they're still no closer to finding the answer. Will these two best friends ever accept that they're meant for each other...or will they continue to deny the attraction that's existed since the first moment When Harry Met Sally? *1989Nora Ephron wrote the brisk screenplay for this 1989 romantic comedy, director Rob Reiner made a nicely glossy New York story (very much in a Woody Allen vein) out of it, and Billy Crystal's unstoppable charm made it something really special. Crystal and Meg Ryan play longtime ! platonic friends who keep dancing around their deeper feelings! for one another, and Bruno Kirby and Carrie Fisher are their respective pals who fall in love and get married. Ryan doesn't get a lot of funny material, but her performance is typically alive and intuitive, and she more than holds her own with Crystal's comic motor mouth and sweet sentimentality. Reiner is on comfortable ground, liberated from the burden of making serious statements in the lead-footed manner of subsequent features. --Tom Keogh

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Young Zeus

• ISBN13: 9780439728065
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Kara Walker is among the most complex and prolific American artists of her generation. Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has used drawing, painting, co! lored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression and liberation. Her scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist.

This is th! e story of how young Zeus, with a little help from six monster! s, five Greek gods, an enchanted she-goat, and his mother, became god of gods, master of lightning and thunder, and ruler over all. in doing so, he learned a lot about family. Who knew that having relatives could be so complicated, even for a god?

Brian Karas says about his inspiration for this book, "I've been interested in working with myths, but I felt as though I needed a personal connection. I am of Italian and Greek descent so I started to think of my Greek heritage. But the world of Greek mythology was unknown to me and in a way felt inaccessible, until I learned more. The Greek believed their gods and goddesses to be, among other things, very human-like in their emotions and behavior. They had complicated family relations. They were flawed on many levels - they could be petty, impulsive and unreasonable. I started to recognize them. Then I travelled to Greece, I knew this place! This personal connection gave me what I felt I needed to work with a Greek myth. But which? "I am also interested in the beginnings of things. When I started researching I kept looking for the ultimate source, the very first account, and largely drew from Hesiod's Thegony. Being interested in origins, I was also drawn to the Greek's version of the very beginning of things and it was here that I settled on the story of Zeus. There is much written about his reign as ruler of heaven and earth but very little about his youth and rise to power. The story of how his mother hid him on the island of Crete is a familiar one but there was a big gap in everything I read of what happened in between his life as an infant and his glory days. Young Zeus is my account of how things might have gone for young Zeus and what led him to become the omnipotent almighty god that he was believed to be."

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