Thursday, December 29, 2011

Kenneth Cole Women's Petite Blurred Animal Print Top, Black/Pearl, Petite/Small

  • Zip front detail
  • Short sleeve
Blurred animal print top

Desperado (Special Edition)

  • TESTED
In this continuation of "El Mariachi," a traveling musician looking for work gets mistaken for a hitman and is thereby entangled in a web of love, corruption, and death. This leads to a very high body count, involvement with a beautiful woman who works for the local drug lord, and finally, the inevitable face-to-face confrontation and bloody showdown. Stars Antonio Banderas and Salma Hayek. Deluxe Edition packed with special features! Featurette: "Sneak Peak: Once Upon A Time in Mexico. Featurette: "10 More Minutes: Anatomy of a Shootout." Audio Commentary with Director Robert Rodriguez.It's Sergio Leone meets Sam Peckinpah meets Quentin Tarantino in this ultraviolent, mythological shoot-'em-up by auteur Robert Rodriguez. In Desperado, Rodriguez creates larger-than-life, genre-tweaking stock characters and puts them through their paces. As they stride bravely through an Old West! lightly dusted with camp humor, they're periodically called upon to nimbly dodge bullets and fireballs through outrageously choreographed displays of Hollywood pyrotechnics. In this bigger-budget semi-remake/semi-sequel to Rodriguez's indie sensation, El Mariachi (made, famously, for $7,000), Antonio Banderas is the darkly charismatic El Mariachi, the Mysterious Stranger in town; Steve Buscemi is perfectly cast as his weasely, motor-mouth Comic Sidekick, laying the groundwork for El Mariachi's entrance by spinning saloon stories to build up his legend; Cheech Marin is a standout as the Bartender, who really knows how to handle a toothpick; and gorgeous Salma Hayek is, well, the Girl--treated to the kind of full-blown, slow-mo introduction the movies traditionally lavish on beautiful new stars. It doesn't add up to much, but it's a kick. Be careful not to blow out your speakers with the DVD's Dolby Digital 5.1 soundtrack. --Jim Emerson

Sunday, December 25, 2011

National Geographic Field Guide to the Birds of North America, Fifth Edition

  • ISBN13: 9780792253143
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
A New York Times Book of the Year
A National Book Critics Circle Award Finalist
Winner of the Salon Book Award
A Village Voice Book of the Year

Birds of America is the celebrated collection of twelve stories from Lorrie Moore, one of the finest authors at work today.
 
“Fluid, cracked, mordant, colloquial…. Stand[s] by itself as one of our funniest, most telling anatomies of human love and vulnerability.” â€"The New York Times Book Review

“A marvelous collection…. Her stories are tough, lean, funny, and metaphysical…. Birds of America has about it a wild beauty that simply makes one feel more connected t! o life.” â€"The Boston Globe
 
“At once sad, funny, lyrical and prickly, Birds of America attests to the deepening emotional chiaroscuro of her wise and beguiling work.” â€"The New York Times
 
“Stunning…. There’s really no one like Moore; in a perfect marriage of art form and mind, she has made the short story her own.” â€"Milwaukee Journal Sentinel
 
“Birds of America stands as a major work of American short fiction…. Absolutely mastered.” â€"Elle
 
“Wonderful…. These stories impart such terrifying truths.” â€"Philadelphia Inquirer
 
“Lorrie Moore soars with Birds of America.... A marvelous, fiercely funny book.” â€"Newsweek
 
“Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore.â€!  â€"Harper’s MagazineLorrie Moore made her debut in ! 1985 wit h Self-Help, which proved that she could write about sadness, sex, and the single girl with as much tenderness--and with considerably more wit--than almost any of her contemporaries. She followed this story collection with another, Like Life, as well as two fine novels, Anagrams and Who Will Run the Frog Hospital? Yet Moore's rapid-fire alternation of mirth and deep melancholy is so perfectly suited to the short form that readers will greet Birds of America with an audible sigh of relief--and delight. In "Willing," for example, a second-rate Hollywood starlet retreats into a first-rate depression, taking shelter in a Chicago-area Days Inn. The author's eye for the small comic detail is intact: her juice-bar-loving heroine initially drowns her sorrows in "places called I Love Juicy or Orange-U-Sweet." Yet Moore seldom satisfies herself with mere pop-cultural mockery. She's too interested in the small and large devastations of ! life, which her actress is experiencing in spades. "Walter leaned her against his parked car," Moore relates. "His mouth was slightly lopsided, paisley-shaped, his lips anneloid and full, and he kissed her hard. There was something numb and on hold in her. There were small dark pits of annihilation she discovered in her heart, in the loosening fist of it, and she threw herself into them, falling." Elsewhere, the author serves up a similar mixture of one-liners and contemporary grief, lamenting the death of a housecat in "Four Calling Birds, Three French Hens" and the death of a marriage in "Which Is More Than I Can Say About That." And her hilarious account of a nuclear family undergoing a meltdown in "Charades" will make you want to avoid parlor games for the rest of your natural life. --James Marcus Essential for the estimated 62 million Americans who watch and feed birds in their backyardsâ€"from the experts at National Geographic and co-author of the ! popular and perennial best seller Field Guide to the Birds! of Nort h America.
 
No matter where you liveâ€"in the country, city, a high-rise or houseâ€"this handy guide will quench your curiosity about the feathered creatures in your midst. It features 150 of the most common and interesting birds likely to be observed at backyard feeders, nesting nearby or just migrating through. An indispensable visual index of all 150 species appears on the inside front and back laminated covers, making identification a snap.
 
Beginning with Backyard Basics, an easy-to-follow, richly illustrated presentation on observing and identifying birdsâ€"with tips on attracting and feeding your favorite birds, birdhouses, and bird-friendly landscapes to entice nestingâ€"the book is full of National Geographic’s iconic field guide images and maps.
 
Core species on everyone’s listâ€"such as robins, woodpeckers, bluebirds and chickadeesâ€"are featured in two-page spreads including practical tips with additional imagery. Sidebars captivat! e with interesting and little known facts.
 
Backyard Guide to Birds is linked to even more content, including audio of each of the book’s 150 birds’ songs and calls at nationalgeographic.com/birding.Subtitled The Audubon Society baby elephant folio , this spectacular new edition reproduces all 435 of Audubon's hand-colored engravings from the original plates of the Audubon Society's archival copy of the Double elephant folio . Reorganized and annotated by the famed Roger Tory Peterson (who also
From the National Wildlife Federation® comes the most up-to-date, all-photographic field guide to North American birds. Birders will find it indispensable: this single, portable volume features more than 750 species, along with more than 2,000 stunning images by leading nature photographers showing birds in their natural habitats. Captions highlight important field marks, and comprehensive species accounts describe habitats, behavior, flight, migration, song! s, and plumages. Other features include: more than 600 maps sh! owing bi rd distribution in every season; strategies for watching and identifying birds; a complete species index plus a quick-flip index; a glossary of terms; and a checklist of birds. The guide’s unique waterproof cover makes it especially valuable for use in the field.
John James Audubon's paintings and descriptions of the birds of North America remain the gold standard against which all ornithological portraits are judged. His landmark work, Birds of America (1838), consisted of 435 life-size prints that were published in batches of five over the course of thirteen years. Because the prints were extremely large and had to be hand-colored by a team of painters, the cost of creating the original sets was exorbitant. Today, complete copies are rare--the last to be sold commanded approximately $11.5 million in a December 2010 auction, making it the most expensive book ever.
 
The exquisitely preserved, complete set of prints from which thi! s slip-cased facsimile edition was created is part of the permanent collection of the Natural History Museum of London. The images were captured using state-of-the-art digital scanning techniques to preserve the intricate detail and vibrant colors of Audubon's original work. It's a stunning book--and a reminder to us of the importance of preserving these lovely creatures and their natural habitats.
Birding is the fastest growing wildlife-related activity in the U.S., and even conservative estimates put the current number of U.S. birders at 50 million. According to the New York Times, some authorities predict that by 2050 there will be more than 100 millionâ€"and the National Geographic Field Guide to the Birds of North America will be the essential reference for field identification and the cornerstone of any birder's library. This is the ultimate, indispensable bird field guideâ€"comprehensive, authoritative, portable, sturdy, and easier than ever ! to use.

Among the the new edition's key elements and p! ractical improvements: Every North American speciesâ€"more than 960, including a new section on accidental birdsâ€"classified according to the latest official American Ornithologists' Union checklist 4,000 full-color illustrations by the foremost bird artists at work todayand newly updated range maps that draw on the latest data New durable cover for added protection against adverse weather, plus informative quick-reference flaps that double as placemarkers New reader-friendly features like thumbtabs that make locating key sections faster and easier, and a quick-find index to direct users straight to the information they need.

Friday, December 16, 2011

Bedtime Stories

  • Funnyman Adam Sandler stars in Walt Disney Pictures' BEDTIME STORIES, the magical family comedy that's packed with adventure and lots of heart. When Skeeter Bronson (Sandler) babysits his sister's (Courteney Cox) children, his imagination runs wild as he dreams up elaborate bedtime stories -- always casting himself as the hero. Entranced, the children add their own ideas to these once-
Funnyman Adam Sandler stars in Walt Disney Pictures' Bedtime Stories, the magical family comedy that's packed with adventure and lots of heart. When Skeeter Bronson (Sandler) babysits his sister's (Courteney Cox) children, his imagination runs wild as he dreams up elaborate bedtime stories always casting himself as the hero. Entranced, the children add their own ideas to these once-upon-a-time tales of heroics and chivalry. Then magic happens. These nighttime fantasies become Skeeter's daytime realities, leadin! g him on a real-life adventure in search of his own happy ending. Filled with colorful characters, humor and whimsy, this heartwarming comedy will enchant your entire family again and again.A fantastical tale about a man who makes up bedtime stories for his niece and nephew only to find that they magically come true the next day, Bedtime Stories is a funny and enjoyable film about finding happiness in unexpected places. Skeeter (Adam Sandler) grew up with his sister Wendy (Courteney Cox) in a small hotel run by his father Marty (Jonathan Pryce) which was eventually sold to Barry Nottingham (Richard Griffiths) with the caveat that Skeeter would someday assume a leadership role in the business. Expansion transformed the small hotel into the luxury Nottingham Hotel, but Skeeter is just a handyman with little hope of advancement. When his sister needs to leave the state for a job interview, Skeeter ends up sharing the responsibility of watching her two elementary-age c! hildren Bobbi (Laura Ann Kessling) and Patrick (Jonathan Morga! n Heit), whom he hasn't seen for years, with Wendy's friend Jill (Keri Russell). Initially an awkward situation, Skeeter and the kids bond over bedtime stories which Skeeter and the children make up. When events in the story start coming true, Skeeter tries to spin the stories to benefit his life, but events take some unexpected turns thanks to the kids' wild imaginations and some strange translations between fiction and reality. New relationships flourish and in the end, Skeeter, Wendy, Mr. Nottingham, Bobbi, Patrick, and Jill each find happiness in a most unexpected place and discover what's really important in their own life. Also worth mentioning is the character Bugsy, a guinea pig with enormous eyes that's sure to have every child begging for their own pet guinea pig. Rated PG for mild rude humor and mild language, but appropriate for most ages 6 and older. --Tami Horiuchi

Black Cat Run

  • From the writer/ director of THE SHAWSHANK REDEMPTION comes a tense, explosive screenplay. Four escaped convicts are slaughtering anyone who gets in their way- and Johnny Del Grissom just lost a car race. His father's disappointed, and his girlfriend Sara Jane's dad- who just happens to be the local sheriff- won't allow her to see him anymore. It's not his lucky day. and that's just the beginning
A carload of escaped convicts just slaughtered the sheriff and kidnapped his daughter. Now they're heading for the border and the cops think Johnny did it! With the cops shooting first and asking questions later, Johnny's got a choice: Take the killer's bullet up front, or get shot in the back by the cops. Get ready for the Black Cat Run!

Wednesday, December 14, 2011

Constantine (Widescreen Edition)

  • Based on the DC Comics/Vertigo Hellblazer graphic novels and written by Kevin Brodbin and Frank Cappello, Constantine tells the story of John Constantine (Keanu Reeves), a man who has literally been to hell and back. When he teams up with skeptical policewoman Angela Dodson (Rachel Weisz) to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons
Based on the DC Comics/Vertigo Hellblazer graphic novels and written by Kevin Brodbin and Frank Cappello, Constantine tells the story of John Constantine (Keanu Reeves), a man who has literally been to hell and back. When he teams up with skeptical policewoman Angela Dodson (Rachel Weisz) to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists just beneath the landscape of contemporary Los Angeles. Caught in a catastrophic! series of otherworldly events, the two become inextricably involved and seek to find their own peace at whatever cost.

DVD Features:
Additional Scenes:18 minutes of additional scenes
Alternate endings

In the grand scheme of theological thrillers, Constantine aspires for the greatness of The Exorcist but ranks more closely with The Order. Based on the popular Hellblazer comic book series, and directed with nary a shred of intelligence by music video veteran Francis Lawrence, it's basically The Matrix with swarming demons instead of swarming machines. Keanu Reeves slightly modifies his Matrix persona as John Constantine, who roams the dark-spots of Los Angeles looking for good-evil, angel-devil half-breeds to ensure that "the balance" between God and Satan is properly maintained. An ancient artifact and the detective twin of a woman who committed evil-induced suicide (Rachel Weisz) factor into the ! plot, which is taken so seriously that you'll want to stand up! and che er when Tilda Swinton swoops down as the cross-dressing angel Gabriel and turns this silliness into the camp-fest it really is. The digital effects are way cool (dig those hellspawn with the tops of their heads lopped off!), so if you don't mind a juvenile lesson in pseudo-Catholic salvation, Constantine is just the movie for you! --Jeff Shannon

Cheri

  • Brand new DVD
Stephen Frears… makes thoroughly professional and immensely entertaining stories that pay particular attention to characters, their flaws, emotions and deepest desires. In Cheri, he has another dandy.  The chemistry between Pfeiffer and Friend is positively combustible. One feels the hunger in each, the rising physical passion and emotional vulnerability in two people who, if asked, would scorn love as a human weakness.

Darius Khondji’s mood-catching cinematography, Consolata Boyle’s eye-catching costumes and Alan MacDonald’s gorgeous sets are all entertainment in themselves. But the greatest contribution comes from composer Alexandre Desplat whose nostalgic, romantic, melancholy score evokes the period perfectly.
                                                                  !                                           - Kirk Honeycutt, The Hollywood Reporter

Filled with luxurious gowns and lush grounds, Stephen Frears's Colette adaptation depicts an affair too perfect to last. Parisian courtesan Lea de Lonval (Michelle Pfeiffer) retains her good looks and has invested her earnings wisely, so her colleague, Madame Peloux (Kathy Bates), persuades Lea to celebrate the inception of her retirement by teaching the Madame’s self-centered son, Chéri (Rupert Friend, recalling T.Rex's tousle-haired Marc Bolan), how to treat a lady. Lea, who has known Chéri his entire life, has genuine affection for the unformed lad, although, as she quips, "I can't criticize his character, mainly because he doesn't seem to have one." To her surprise, their weekend in Normandy turns into a six-year-relationship. Then, Madame Peloux announces that she has found an appropriate 18-year-old bride for her now-reformed 25-ye! ar-old boy. Afraid to admit the depth of their feelings for ea! ch other , the duo grudgingly goes along with the plan since Belle Époque society demands that a proper gentleman marry a proper lady, and Lea realizes that matrimony to a man half her age isn't an option. But real love--even the co-dependent kind--can't be banished quite so easily as a bad habit. Frears and Oscar-winning screenwriter Christopher Hampton, adapting Chéri and The Last of Chéri, previously collaborated with Pfeiffer on Dangerous Liaisons, but their reunion is a comparatively somber affair that comes recommended more for fans of the actress, who gives the role her all, than for fans of the filmmaker, whose direction feels perfunctory, particularly during the blink-and-you'll-miss-it epilogue. --Kathleen C. Fennessy

Grosse Pointe Blank

  • Here is the killer comedy hit that is loaded with outrageous fun! For Martin Blank (John Cusack -Con Air), a hit man stuck in a career rut, attending his 10-year high school reunion is about the last thing he is in the mood for! But when the prospects of rekindling an old flame (Minnie Driver -Good Will) and pulling off one final job convince him to go, things are looking up.that is, until Martin
Here's the killer comedy hit that's loaded with outrageous fun! For Martin Blank (John Cusack -- HIGH FIDELITY, SERENDIPITY), a hit man stuck in a career rut, attending his 10-year high school reunion is about the last thing he's in the mood for! But when the prospects of rekindling an old flame (Minnie Driver -- GOOD WILL HUNTING) and pulling off one final job convince him to go, things are looking up ... that is, until Martin's arch rival (Dan Aykroyd) shows up aiming to blow the competition away! ! For hilarious comedy entertainment that's packed with action, GROSSE POINTE BLANK is a surefire knockout!Hit man Martin Q. Blank (John Cusack) is in an awkward situation. Several of them, actually. He's attending his high school reunion on an assignment; he's got a rival hit man (Dan Aykroyd) on his tail; and he's going to have to explain to his old girlfriend (Minnie Driver) why he stood her up on prom night. This amiable black comedy, cowritten by Cusack and directed by Jonathan Demme protégé George Armitage (Miami Blues), has the feel of Demme's Something Wild and Married to the Mob--which is to say its humor is dark and brightly colored at the same time. Cusack and Driver are utterly charming--as is the leading man's sister, Joan, who plays his secretary. (Ms. Cusack received an Oscar nomination for her next role, in In & Out.) Alan Arkin is also very funny as Martin's psychiatrist. --Jim Emerson

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