- Style E75-261

The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device. The script, cowritten by the director and her sister, Delia Ephron, updates and relocates the Ernst Lubitsch classic, The Shop Around the Corner, to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan). Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over their colliding business fortunes.
It's no small testament to the two stars that we wind up liking and caring about them de! spite the inevitable (and highly manipulative) arc of the plot! . Althou gh their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention of Manhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and color coordinates their wardrobes for cocktail parties. --Sam SutherlandBy now, Tom Hanks and Meg Ryan have amassed such a fund of goodwill with moviegoers that any new onscreen pairing brings nearly reflexive smiles. In You've Got Mail, the quintessential boy and girl next door repeat the tentative romantic crescendo that made Sleepless in Seattle, writer-director Nora Ephron's previous excursion with the duo, a massive hit. The prospective couple do act! ually meet face to face early on, but Mail otherwise repeats the earlier feature's gentle, extended tease of saving its romantic resolution until the final, gauzy shot.
The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device. The script, cowritten by the director and her sister, Delia Ephron, updates and relocates the Ernst Lubitsch classic, The Shop Around the Corner, to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan). Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over the! ir colliding business fortunes.
It's no small testament to ! the two stars that we wind up liking and caring about them despite the inevitable (and highly manipulative) arc of the plot. Although their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention of Manhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and color coordinates their wardrobes for cocktail parties. --Sam Sutherland"Brimming over with style, intelligence and flashing wit" (Rolling Stone), this "splendid and irresistible" (Los Angeles Times) film from director Rob Reiner(American President is one of the best-loved romantic comedies of all time. Featuring dazzling performances from Meg Ryan! , Billy Crystal, Carrie Fisher and Bruno Kirby, exceptional music from Harry Connick Jr., and an OscarÃ(r)-nominated* screenplay by Nora Ephron, When Harry Met Sally is an "explosively funny" commentary on friendship, courtships - and other hardships - of the modern age (Newsweek)! Will sex ruin a perfect relationship between a man and a woman? that's what Harry (Crystal) and Sally (Ryan) debate during their travels from Chicago to New York. And eleven years and later, they're still no closer to finding the answer. Will these two best friends ever accept that they're meant for each other...or will they continue to deny the attraction that's existed since the first moment When Harry Met Sally? *1989Nora Ephron wrote the brisk screenplay for this 1989 romantic comedy, director Rob Reiner made a nicely glossy New York story (very much in a Woody Allen vein) out of it, and Billy Crystal's unstoppable charm made it something really special. Crystal and Meg Ryan play longtime ! platonic friends who keep dancing around their deeper feelings! for one another, and Bruno Kirby and Carrie Fisher are their respective pals who fall in love and get married. Ryan doesn't get a lot of funny material, but her performance is typically alive and intuitive, and she more than holds her own with Crystal's comic motor mouth and sweet sentimentality. Reiner is on comfortable ground, liberated from the burden of making serious statements in the lead-footed manner of subsequent features. --Tom Keogh
Brian Karas says about his inspiration for this book, "I've been interested in working with myths, but I felt as though I needed a personal connection. I am of Italian and Greek descent so I started to think of my Greek heritage. But the world of Greek mythology was unknown to me and in a way felt inaccessible, until I learned more. The Greek believed their gods and goddesses to be, among other things, very human-like in their emotions and behavior. They had complicated family relations. They were flawed on many levels - they could be petty, impulsive and unreasonable. I started to recognize them. Then I travelled to Greece, I knew this place! This personal connection gave me what I felt I needed to work with a Greek myth. But which?
"I am also interested in the beginnings of things. When I started researching I kept looking for the ultimate source, the very first account, and largely drew from Hesiod's Thegony. Being interested in origins, I was also drawn to the Greek's version of the very beginning of things and it was here that I settled on the story of Zeus. There is much written about his reign as ruler of heaven and earth but very little about his youth and rise to power. The story of how his mother hid him on the island of Crete is a familiar one but there was a big gap in everything I read of what happened in between his life as an infant and his glory days. Young Zeus is my account of how things might have gone for young Zeus and what led him to become the omnipotent almighty god that he was believed to be."
DVD Features:
Interviews:Cast and Crew Interviews
TV Spot:More titles from Lifetime
We'd all love to stop eating
the poisonous parts of our wildness.
Ever wondered what it's like to be a celebrated Hollywood actor from the age of eleven? With insightful, no BS, cards-on-the-table poetry that is quite serious yet has fun with metaphor, imagery, and language itself, author Amber Tamblyn gives readers a backstage pass to the show inside her mind. Whether she's describing real life info-gathering for a new prime time TV drama ("Role Research") or addressing the crossroads of public perception and private life ("Fell Off"), Amber Tamblyn reveals questions, answers, and more in Bang Ditto, wielding metaphors mercilessly in a wry and talented voice.
âTamblynâs witty personal accounts and surprisingly lyrical observations go way above the sc! ripted bullsh*t spouted by most of her peers.ââ"The Onion A.V. Club
âPunchy, spiky, and flush with a young writer's love of language, the collection often deglamourizes the acting business. A great find...ââ"Barbara Hoffert, Library Journal
Amber Tamblyn is an Emmy and Golden Globe Awardâ"nominated actor and poet. She came to fame on the soap opera General Hospital followed by starring roles on the television series Joan of Arcadia and The Unusuals. She has branched out into film roles, appearing in The Sisterhood of the Traveling Pants and many other films. Winner of a Borders Choice Award for Breakout Writing, the author currently resides in New York.
Stand there,
wait for the train.
Amber Tamblyn, best known as an actress, is also an accomplished poet who was mentored by Beat poets such as Jack Hirschman and Michael McClure. Incisive and passiona! te, her poems represent Amber's unique perspective on universa! l issues of relationships, loss, and self-discovery. This collection provides a glimpse into the mind of a young woman struggling to define her own identity on her own terms.
Jack Hirschman provides an introduction that places the poems in a literary context, and Amber prefaces her writing with a personal explanation that gives readers an entry point into her work. This striking collection marks the arrival of an original voice in the realm of young adult literature.In a world bookended by extreme drama and comic insanity, NYPD Detective Casey Shraeger (Amber Tamblyn) moves from Vice to Homicide to investigate the murder of a fellow cop. Considered by her new boss, Sergeant Harvey Brown (Terry Kinney), to be unimpeachable because of her familyâs wealth â" a fact she carefully keeps hidden â" Casey quickly learns that she isnât the only cop with a secret. Thrust into a world thatâs already rife with eccentrics and tainted by corruption, Casey cautiously navigates Homicide! âs treacherous waters as she joins the victimâs partner, Detective Jason Walsh (Jeremy Renner), in unraveling the knot of conflicting clues that they hope will lead them to the killer and ultimately reveal the truth behind the dead copâs past.
Stills from The Unusuals (Click for larger image)
We'd all love to stop eating
the poisonous parts of our wildness.
Ever wondered what it's like to be a celebrated Hollywood actor from the age of eleven? With insightful, no BS, cards-on-the-table poetry that is quite serious yet has fun with metaphor, imagery, and language itself, author Amber Tamblyn gives readers a backstage pass to the show inside her mind. Whether she's describing real life info-gathering for a new prime time TV drama ("Role Research") or addressing the crossroads of public perception and private life ("Fell Off"), Amber Tamblyn reveals questions, answers, and more in Bang Ditto, wielding metaphors mercilessly in a wry and talented voice.
âTamblynâs witty personal accounts and surprisingly lyrical observations go way above the scripted bullsh*t spouted by most of her peers.ââ"The Onion A.V. Club
â! Punchy, spiky, and flush with a young writer's love of languag! e, the c ollection often deglamourizes the acting business. A great find...ââ"Barbara Hoffert, Library Journal
Amber Tamblyn is an Emmy and Golden Globe Awardâ"nominated actor and poet. She came to fame on the soap opera General Hospital followed by starring roles on the television series Joan of Arcadia and The Unusuals. She has branched out into film roles, appearing in The Sisterhood of the Traveling Pants and many other films. Winner of a Borders Choice Award for Breakout Writing, the author currently resides in New York.
We'd all love to stop eating
the poisonous parts of our wildness.
Ever wondered what it's like to be a celebrated Hollywood actor from the age of eleven? With insightful, no BS, cards-on-the-table poetry that is quite serious yet has fun with metaphor, imagery, and language itself, author Amber Tamblyn gives readers a backstage pass to the show inside her mind. Whether she'! s describing real life info-gathering for a new prime time TV drama ("Role Research") or addressing the crossroads of public perception and private life ("Fell Off"), Amber Tamblyn reveals questions, answers, and more in Bang Ditto, wielding metaphors mercilessly in a wry and talented voice.
âTamblynâs witty personal accounts and surprisingly lyrical observations go way above the scripted bullsh*t spouted by most of her peers.ââ"The Onion A.V. Club
âPunchy, spiky, and flush with a young writer's love of language, the collection often deglamourizes the acting business. A great find...ââ"Barbara Hoffert, Library Journal
Amber Tamblyn is an Emmy and Golden Globe Awardâ"nominated actor and poet. She came to fame on the soap opera General Hospital followed by starring roles on the television series Joan of Arcadia and The Unusuals. She has branched out into fil! m roles, appearing in The Sisterhood of the Traveling Pants! and many other films. Winner of a Borders Choice Award for Breakout Writing, the author currently resides in New York.
Joan (Amber Tamblyn) is an ordinary 16-year-old. Father Will (Joe Mantegna) is the local Arcadia police chief, mother Helen (Mary Steenburgen) is a teacher/administrator, younger brother Luke (Michael Welch) is a fellow student, and older brother Kevin (Jason Ritter, son of John Ritter) is a high school graduate who was paralyzed the year before. He used to be popular and athletic. Now he watches TV and builds models. In the pilot, God speaks to Joan for the first time, as a cute boy, and asks her to get a job. Once she's convinced He's really God, she does. Her action inspires Kevin to get one, too, and his process of rejoining the world begins.
As in Joan Osborneâs theme song, "One of Us" (featured on two episodes), God will continue to appear to Joan in a variety of guises--even as a dog walker who looks like Russ Tamblyn (Amber's father! ). Heâll often ask her to do things that make her uncomforta! ble, but she'll always learn from the experience and some good will always come from it. Unfortunately, she isn't able to talk to anyone about this or they'd think she was crazy, not even friends Grace (Becky Hahlstrom) or Adam (Christopher Marquette). By the season finale, faith will be replaced by doubt, setting the scene for the second season, in which Joanâs faith will be restored. --Kathleen C. Fennessy